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This was the period of art deco and Australian “genteel modernism”. In the inter-war years, there was a marked queer presence in the worlds of Australian art, design, entertainment and retail. He subsequently inspired the famous novel by Evelyn Waugh, Brideshead Revisited. He was disgraced as a homosexual by his brother-in-law in 1931 and became the subject of the famous statement by King George V: “I thought people like that always shot themselves.” William Lygon, later 7th Earl Beauchamp - the governor of New South Wales for a short time from 1899 - travelled with a retinue of good-looking footmen and lavished praise on the natural grace of Australian athletes and lifesavers. George Francis Alexander Seymour, future Marquess of Hertford, dancing. Sodomy in the Tasmanian coal mines was also the subject of a British government inquiry.ĭebauchery on the fatal shore: the sex lives of Australia's convicts Francis Forbes, former Chief Justice in the colony, when questioned at the so-called Molesworth inquiry into convict transportation in the 1830s, had to admit Sydney “had been called a Sodom”. The Australian colonies were marked by a shortage of women and the dominance of homosocial environments. Letters, memoirs, diaries, art, photographs and the memories of gay, lesbian, and transgender people also provide clues.
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Where were they before and how can they be identified? Because male homosexuality was criminalised, much can be discovered from the press and crime reports. Still, Australian queer people did not suddenly emerge in the 1960s and 70s, the years of gay liberation. Being on the front page of the newspaper no longer meant you might be going to jail. Part of the power of Mardi Gras for older generations was that it removed queer sexualities from the “secret” confines of semi-legal bar and club locations and private parties to the public street. The public face of Mardi Gras, which began in 1978 with a protest parade, is remarkable in a nation that has been deeply prejudiced toward gay and lesbian people. It’s not quite the same in the era of COVID, but a contained version of the famous street parade will be beamed into living rooms on Saturday. LGBTQI people are enjoying what some call “gay or lesbian Christmas”. It wasn’t trying to pass, it was: I am a man in a dress and you just have to deal with that.It’s Sydney Lesbian and Gay Mardi Gras festival time. There was a conscious effort to make a public queer culture. The Cockettes and Genderfuck when it was happening in the 60’s and 70’s. If I’m dressing somebody it is definitely very feminine but at the same time does not obliterate that fact that they are a man. I would call it Fairy which is usually sensible shoes, usually some kind of frilly things, I don’t do any fake boobs, if somebody has a beard that’s fine and then we will put some amazing make-up on them. For money I work for good vibrations in the HR department I make sure people get paid. These clothes are not functional, it’s not like you could just wear them to work, I think about it more from the art end.
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We at liked them so much we asked Crystal if we could put them out again as a time capsule of SF’s creative scene during the height of the most recent tech boom and demographic change.īY CRYSTAL is a gay costume designer and self-described gender-fucker.ĭesigning and making clothes. 1333 Shares Share on Facebook Share on TwitterĭRAWN FROM THE CITY: Illustrations and Interviews of SF’s Best, first appeared in The Bold Italic in 2015 and ran through 2016.